Tuesday, August 29, 2006

Eight Sacred Buddhist Symbols


Eight Sacred Buddhist Symbols

 The Right-Spiraling Conch Shell: The conch shell is thought to have been the original horn-trumpet; ancient Indian mythical epics relate heroes carrying conch shells. The Indian god Vishnu is also described as having a conch shell as one of his main emblems; his shell bore the name Panchajanya, meaning, "having control over the five classes of beings."

The conch shell is an emblem of power, authority, and sovereignty; its blast is believed to banish evil spirits, avert natural disasters, and scare away poisonous creatures. In Indian culture, different types of conch shells were associated with the different castes and with male and female.

In Buddhism, the conch was adopted as a symbol of religious sovereignty and an emblem that fearlessly proclaimed the truth of the dharma. One of the 32 signs of a Buddha's body is his deep and resonant voice, which is artistically symbolized in images of the Buddha by three conch-like curving lines on his throat.

Shells that spiral to the right are very rare and considered especially sacred, the right spiral mirroring the motion of the sun, moon, planets, and stars across the sky. Also, the hair curls on a Buddha's head spiral to the right, as do his fine bodily hairs, the long white curl between his eyebrows, and the conch-like swirl of his navel.

A shell is made into Tibetan ritual musical instruments by cutting off the end of its tip and furnishing it with a mouthpiece and an ornamental metal casing that extends from the shell's mouth.

The Endless Knot: This symbol was originally associated with Vishnu and represented his devotion to his consort Lakshmi, the goddess of wealth and good fortune. It symbolizes the Buddha's endless wisdom and compassion. It also can represent continuity or dependent origination as the underlying basis of life.

The Victory Banner: This was traditionally carried in battle. Great warriors would often have banners with their own emblems, the banners being carried on the back of their chariots. Krishna (an incarnation of Vishnu) had a banner bearing the garuda bird (a bird deity).

In early Buddhism, the banner represented Buddha's victorious enlightenment with his overcoming the armies of Mara (hindrances and defilements). Legend says the banner was placed on the summit of Mt Meru, symbolizing Buddha's victory over the entire universe.

In Tibetan Buddhism, the banner represents eleven methods of overcoming Mara: the development of knowledge, wisdom, compassion, meditation, and ethical vows; taking refuge in the Buddha; abandoning false views; generating spiritual aspiration, skilful means, and selflessness; and the unity of the three samádhis of emptiness, formlessness, and desire-less-ness.

The Golden Wheel: The wheel is an ancient Indian symbol of creation, sovereignty, protection, and the sun. The six-spoke wheel was associated with Vishnu and was know as the Sudarshana Chakra. The wheel represents motion, continuity, and change, forever moving onwards like the circular wheel of the heavens.

Buddhism adopted the wheel as a symbol of the Buddha's teachings and his first discourse at the Deer Park in Sarnath is known as "the first turning of the wheel of dharma." In Tibetan Buddhism, it is understood as "the wheel of transformation" or spiritual change.

The hub of the wheel symbolizes moral discipline, and the eight spokes represent analytical insight via rim-meditative concentration. The eight spokes point to the eight directions and symbolize the Buddha's Noble Eightfold Path: right understanding, right thought, right speech, right action, right livelihood, right effort, mindfulness, and concentration.
 
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[lotus throne - tibet, nepal, india] The eight auspicious symbols

The eight auspicious symbols of Tibetan Buddhism consist of: a parasol, a pair of fishes, a treasure vase, a lotus , a white-spiraling conch shell, an endless knot, a victory banner, and a golden wheel.

Groupings of eight auspicious symbols were originally used in India at ceremonies such as an investiture or coronation of a king. An early grouping of symbols included: a throne, a swastika, a handprint, a hooked knot, a vase of jewels, a water libation flask, a pair of fishes, and a lidded bowl.

In Buddhism, these eight symbols of good fortune represent the offerings made by the gods to Shakyamuni Buddha immediately after he gained enlightenment. The following expounds upon these symbols.

The Parasol (umbrella): This was a traditional Indian symbol of protection and royalty. The parasol denoted wealth and status - the more included in a person's entourage, the more influential the person was, with 13 parasols defining the status of king.

Indian Buddhists who saw the Buddha as the universal monarch adopted this concept. Besides, 13 stacked parasols form the conical spire of the Buddha or Tathágata stupa. In Buddhist mythology , the king of the nagas (serpent-like creatures) gave a jeweled umbrella to the Buddha.

Symbolically, the protection provided by the parasol is from the heat of suffering, desire, obstacles, illness, and harmful forces.

A typical Tibetan parasol consists of a thin round wooden frame with 8, 16, or 32 thinly arched wooden spokes. Through its center passes a long wooden axle-pole embellished at the top with a metal lotus, a vase, and the triple jewel. White, yellow, or multicolored silk stretches over the domed frame and a folded or pleated silk skirt with 8 or 16 hanging silk pendants attached hang from the circular frame. The parasol dome represents wisdom and the hanging skirt, compassion.
The Two Golden Fishes: The two fishes originally represented the two main sacred rivers of India - the Ganges and the Yamuna. These rivers are associated with the lunar and solar channels that originate in the nostrils and carry the alternating rhythms of breath or prana (life-sustaining force).

Fish have religious significance in Hindu, Jain, and Buddhist traditions as well as in Christianity (the sign of the fish, the feeding of the five thousand). In Buddhism, the fish symbolize happiness as they have complete freedom of movement in the water. They represent fertility and abundance. They are often drawn in the form of carp, which are regarded in Asia as sacred on account of their elegant beauty, size, and lifespan.

The Treasure Vase: This is known as "the vase of inexhaustible treasures" - however much is removed from it, the vase remains perpetually full. In Southwest China's Tibet Autonomous Region, wealth vases sealed with precious and sacred substances are commonly placed upon altars and on mountain passes, or buried in water springs. The symbol is often shown as a highly ornate, traditional-shaped vase with a flaming jewel or jewels protruding from its mouth.
The Lotus Flower: The lotus blossoms unstained from the watery mire; it is a symbol of purity, renunciation, and divinity.
 
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Posted by Amidiu to lotus throne - tibet, nepal, india at 8/29/2006 03:49:02 AM

[tibetan pavilion, turquoise stone, red coral] Eight Sacred Buddhist Symbols

Eight Sacred Buddhist Symbols

Some symbols recur on the walls of almost every temple, shrine, and monastery, or on the walls of private houses. The most common decorative motifs of all are the Eight Sacred Emblems of Buddhism, as follows:

1. Conch Shell (dun) - used in Buddhist worship as a trumpet or offertory vessel and symbolizes the spoken word of Buddha.


2. Vase (bum-pa) - used as the storage urn of a sacred receptacle and thus symbolizes hidden treasures.


3. Umbrella (gdugs) - a token of loyalty and symbolizes the protection of the Dharma (faith).


4. Endless Knot (apal-be) - an auspicious geometric diagram, it symbolizes devotion.


5. Dharma Wheel (chakra) - represents the unity of all things and symbolizes Sakyamuni himself.


6. Golden Fish (gser-na) - as water allows fish to swim freely, so Buddhist belief emancipates the soul. They symbolize spiritual liberation.
Eight Sacred Buddhist Symbols


7. Lotus flower (padma) - as the flower rises from muddy roots, so Nirvana arises from this shabby world; therefore it symbolizes purity.


8. Banner of Victory (dpal-be) - a unique Buddhist object, the cylindrical layered banner symbolizes victory over ignorance and death.




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Posted by Amidiu to tibetan pavilion, turquoise stone, red coral at 8/29/2006 03:45:26 AM

Contents of butter sculptures

Contents of butter sculptures

Ways of expressing butter sculptures vary greatly, covering a wide range of contents. Mostly, they center on Buddhism, historic stories, personal biographies, birds, and beasts. Over time, they have been imbued with the various trends of each era.

For example, the butter sculpture "The Story About Sakyamuni" not only enriched the traditional style of butter sculpting, but also reflects real life. In this way, the former single method has evolved into a multi-method system, including a combination of stereoscopic sculptures and reliefs -- a combination of single sculptures and multi-sculptures.
 
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[Tibetan Shop, Tibetan Jewelry, Nepal and Tibetan Crafts, Tibetan Turquoise, Red Coral] Butter Sculptures

Butter Sculptures


Before sculpting, monk artists must wash and take part in a religious ritual. Then, they begin to discuss the theme of the butter sculpture. After setting the theme, they elaborate on the concept, planning, and layout of the butter sculpture. During this process, the work is distributed among the monks respectively. When all of the preparatory work is complete, the artists enter rooms at a temperature of 0℃ and begin to sculpt.

The first procedure is for the artist to set up a basic frame for the butter sculpture, using some simple tools, such as soft leather, hemp rope, and hollow truncheon (Do you mean a hollow stick of some sort?).

In the next procedure, modeling, the artist employs two kinds of raw materials.

The first kind is a black mixture made from the used butter sculptures and ashes from burned wheat straw to mold different shapes on the frame. This process greatly resembles flour sculpting and clay sculpting . Then, the body must be revised and examined before the model is finally set up.

The second raw material is a mixture made from the creamy butter and many colored minerals. These are painted onto the surface of the body, and golden and silver powder is used to draw the outline of the sculpture. This process concludes the modeling of colored images.

In the last step, the butter sculptures are affixed onto several slates or a special basin as in the original design. The layout can create a flower image or a story called "frame of butter flowers."

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Posted by Amidiu to Tibetan Shop, Tibetan Jewelry, Nepal and Tibetan Crafts, Tibetan Turquoise, Red Coral at 8/29/2006 03:29:12 AM

[sacred craftwork, buddha jewlery, ethnic jewelry, tibetan dharma jewelry] Making of butter sculptures

Making of butter sculptures

The making of butter sculptures is rather unique and complex: Since butter melts easily it is modeled by hand in cold conditions (usually on winter days) by monk artists.

To make the butter more smooth and delicate, the monk artists soak it in cold water for a long time to remove impure substances; then, they knead the butter into a smooth yet greasy preparation.
 
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Posted by Amidiu to sacred craftwork, buddha jewlery, ethnic jewelry, tibetan dharma jewelry at 8/29/2006 03:25:48 AM

[Tibetan Greetings, Tibetan Jewelry, Tibetan Arts and Crafts, Chinese Vintage Jewelry] Origin of butter sculptures

Origin of butter sculptures

In 641, when Princess Wencheng of the Tang Dynasty (618-907) went to Tibet to marry the king of the Tubo Kingdom (629-846), Songtsan Gambo, she brought along a sculpture of Sakyamuni (Buddhist founder), which was later enshrined and worshipped at the Jokhang Temple.

To show their respect, the Tibetans presented offerings in front of the Buddha. According to the traditional customs observed in India, offerings to Buddha and Bodhisattvas were divided into six categories: the flower, Tu incense, divine water, Wa incense, fruit, and the Buddha light. By that time, however, all of the flowers and trees had died, so the Tibetans made a bundle of flowers from butter instead.

Butter sculptures are a kind of butter-molded craftwork where the major raw material is butter, a creamy food among the Tibetans in China. The solid material, which is soft and pure with a faint scent, can be molded into vivid, bright, and exquisite craftworks.

In the beginning, butter sculptures were simple and the techniques were rough. Later, two institutions were set up in the Taer Monastery to train monk artists specializing in this art. With a passion for Buddha and the arts, the monks worked hard and learned from each other to overcome their own weaknesses, thus enriching the art in terms of pattern and content.

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Posted by Amidiu to Tibetan Greetings, Tibetan Jewelry, Tibetan Arts and Crafts, Chinese Vintage Jewelry at 8/29/2006 03:18:44 AM