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In the beginning, butter sculptures were simple and the techniques were rough. Later, two institutions were set up in the Taer Monastery to train monk artists specializing in this art. With a passion for Buddha and the arts, the monks worked hard and learned from each other to overcome their own weaknesses, thus enriching the art in terms of pattern and content.

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Parallelism also finds expression in the hairstyles of the Tibetans. Women in northern Tibet mostly wear their hair in rows of braids. With some women, the rows of braids start from the center of the forehead, go round the head, and then end again in the center of the forehead. Other women interweave their tiny plaits into a row of thick braids, which are then collected and tied in the back with ornaments. Even the ornaments are arranged in rows or strings.
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